Light

Describe

What do you see?

  • How would you describe the quality of light in the work? Is it bright, soft or darkly lit?
  • Does the light change or is it fixed?
  • Is the light source part of the work or depicted within an image?
  • Does the light draw your attention to any specific aspects of the artwork
  • Does the experience of light change with your viewpoint?
  • Does the light create shadow or darkness?
  • Does the presence of light invite movement or participation?

Analyse

How was it made? What choices did the artist make?

  • What light sources has the artist selected?
  • Can the light source be seen? Or has it been hidden from the viewer?
  • Are there multiple sources of light or surfaces interacting with the light
  • Does the quality of the light create a mood or atmosphere?
  • What techniques has the artist used to draw attention to light, shadows or darkness?
  • How does light affect the sensory experience of the work? Does the light interact with your sense of touch, smell, hearing or taste?

Interpret

What does it mean? How does it make you feel?

  • Does the effect of the light remind you of any past experiences?
  • Does the artist’s use of light elicit any particular emotions (such as thoughtfulness) or behaviours (such as play)?
  • Can you associate any symbolism in the work relating to the use of light
  • What ideas or stories might the artist be exploring through light?
  • Does the quality of the light suggest differences between natural and artificial light?
  • What is the relationship between light, colour and the audience’s perception of the work?
  • How might people experience the work differently depending on how the
    light changes?

Evaluate

Do you like it? Why or why not?

  • Was the artist’s use of light a noticeably engaging attribute?
  • Did the use of light enhance your experience? Why or why not?
  • Was your experience of the work influenced by the quality of light?
  • How does the experience of light in a gallery setting differ from natural light in the outdoors?
  • What changes to lighting would you make to the work? How and why?

Activities

Differentiated activities

  • Students trace their hands onto card. They use scissors to cut out the shape and adhere cellophane onto one side of the card to create a stained-glass mirror effect in the cut-out area. Students create a display of their hands on a window that receives sunlight during the day so that the colours from the cellophane can be seen through sunlight entering the classroom.
  • Students work in pairs to create an artwork made up of shadows traced onto paper. In a darker area of the classroom, students shine a torch onto a group of small objects (toys, blocks, cups) and draw an outline of the shadows. The paper may need to be propped up against a wall to help the students capture the shadow. Working inside and outside of the shadow spaces, more details can be added through drawing, painting and collage.

Activity ideas for younger students

  • Students use polarised lenses from sunglasses (or samples of polarising plastics) to experiment with the movement of light waves. They begin by drawing an image onto a sticky note and adhere it to an upright board. The students then fix two polarised lenses in front of the note at even spacing. As a final step, students then rotate a third lens in their hands to see if the note becomes visible when turned on its side.
  • Students explore the art and science of light by creating rainbows using windows, mirrors, CDs, glasses of water and/or water containers. Combine the exploration of rainbows with activities in QAGOMA Learning’s colour resource.
  • Use lenses and a spotlight to split light into its constituent spectrum of colours. Record what you see through photography, drawing or painting.

Activity Ideas for older students

  • Using plain paper, craft paper and tape, students create abstract hand-sized sculptures. The sculptures become the main subject of a series of 60-second video works choreographed using torchlight and coloured cellophane.
  • Using a portrait or a still life as the subject matter, students paint the same
    composition under different types of light (natural light, warm candlelight, cool fluorescent light, multicoloured LED lighting). The students record changes to their use of materials and techniques, making observations about the variations in the mood of each artwork.
  • Students make light sculptures using malleable wire and found objects with translucent properties. They will need to determine a location for the sculpture, and the relevant light source/s. Consideration of natural elements and/or small motors could be incorporated to manufacture movement.

Glossary of cognitive verbs

Describe

To give a detailed account of the features of something by identifying and communicating what can be seen, heard, felt or otherwise sensed. In relation to works of art, this includes visual elements such as colour, shape, line, texture and subject matter, as well as other perceptual qualities such as sound, movement, scale, spatial presence and materiality.

Analyse

To examine the parts and features of something in detail to understand how they work together. In relation to works of art, this involves breaking down visual and sensory elements — such as colour, composition, texture, sound and materials — and considering how they work together to create meaning or effect. It also includes identifying techniques, processes and relevant contextual influences that shape the work.

Interpret

To draw conclusions about the possible meaning of an artwork, considering the artist’s intent and the viewer’s own ideas and feelings.

Evaluate

To make a judgement about the quality, effectiveness or impact of something, based on criteria or evidence. In relation to works of art, this includes assessing how successfully the artist has used materials, techniques and elements to convey ideas or achieve an intended effect, as well as considering the work’s originality, impact or relevance.