Light
James Turrell, United States, b.1943 / Night Life 2018 / Commissioned 2017 to mark the tenth anniversary of the opening of the Gallery of Modern Art. This project has been realised with generous support from the Queensland Government; Paul, Sue and Kate Taylor; the Neilson Foundation and the QAGOMA Foundation Appeal / Collection: Queensland Art Gallery | Gallery of Modern Art / View full image
Light is fundamental to vision. Changes in the quality of light affect how the world is perceived. Artists study light as an essential way of receiving, perceiving, recording and re-imaging the world.
At its most mesmerising, light can be transcendental. The refraction of light through a gemstone can seem otherworldly. Stained-glass windows and illuminated manuscripts are artistic forms associated with spirituality. Even a fleeting glimpse of a rainbow can feel like a precious gift.
Sight has long been the primary sense through which visual art is encountered. Relationships between light and art exist on technical, material, experiential, cultural and conceptual levels.
Light illuminates a room in a literal sense, and light is also a potent symbol of intelligence, hope and human potential. The concept of enlightenment emerged through the Renaissance, one of the most significant periods of European innovation. Without light, there is darkness; and without enlightenment, ignorance. To have a ‘bright idea’, or to be known as a ‘bright spark’ suggests intelligence.
The behaviour of light is affected by materials that reflect, refract or absorb it. Light is therefore key to how we understand a material’s qualities or properties, such as density, viscosity, texture, transparency, sheen and temperature. Artists can manipulate the interplay between light and material to influence the mood of an artwork.
Light and colour coexist on a material level. When viewing a painting, light waves travel through layers of pigment on a painted surface, bouncing back to the eye. A thin background layer of colour can alter the perception of the colour on the upper layers. Projections of coloured light can change the appearance of an opaque surface — or mix with translucent and reflective materials to create playful, dynamic arrays of light and shadow.
Activities
Differentiated activities
- Students trace their hands onto card. They use scissors to cut out the shape and adhere cellophane onto one side of the card to create a stained-glass mirror effect in the cut-out area. Students create a display of their hands on a window that receives sunlight during the day so that the colours from the cellophane can be seen through sunlight entering the classroom.
- Students work in pairs to create an artwork made up of shadows traced onto paper. In a darker area of the classroom, students shine a torch onto a group of small objects (toys, blocks, cups) and draw an outline of the shadows. The paper may need to be propped up against a wall to help the students capture the shadow. Working inside and outside of the shadow spaces, more details can be added through drawing, painting and collage.
Activity ideas for younger students
- Students use polarised lenses from sunglasses (or samples of polarising plastics) to experiment with the movement of light waves. They begin by drawing an image onto a sticky note and adhere it to an upright board. The students then fix two polarised lenses in front of the note at even spacing. As a final step, students then rotate a third lens in their hands to see if the note becomes visible when turned on its side.
- Students explore the art and science of light by creating rainbows using windows, mirrors, CDs, glasses of water and/or water containers. Combine the exploration of rainbows with activities in QAGOMA Learning’s colour resource.
- Use lenses and a spotlight to split light into its constituent spectrum of colours. Record what you see through photography, drawing or painting.
Activity Ideas for older students
- Using plain paper, craft paper and tape, students create abstract hand-sized sculptures. The sculptures become the main subject of a series of 60-second video works choreographed using torchlight and coloured cellophane.
- Using a portrait or a still life as the subject matter, students paint the same
composition under different types of light (natural light, warm candlelight, cool fluorescent light, multicoloured LED lighting). The students record changes to their use of materials and techniques, making observations about the variations in the mood of each artwork. - Students make light sculptures using malleable wire and found objects with translucent properties. They will need to determine a location for the sculpture, and the relevant light source/s. Consideration of natural elements and/or small motors could be incorporated to manufacture movement.
Glossary of cognitive verbs
Describe
To give a detailed account of the features of something by identifying and communicating what can be seen, heard, felt or otherwise sensed. In relation to works of art, this includes visual elements such as colour, shape, line, texture and subject matter, as well as other perceptual qualities such as sound, movement, scale, spatial presence and materiality.
Analyse
To examine the parts and features of something in detail to understand how they work together. In relation to works of art, this involves breaking down visual and sensory elements — such as colour, composition, texture, sound and materials — and considering how they work together to create meaning or effect. It also includes identifying techniques, processes and relevant contextual influences that shape the work.
Interpret
To draw conclusions about the possible meaning of an artwork, considering the artist’s intent and the viewer’s own ideas and feelings.
Evaluate
To make a judgement about the quality, effectiveness or impact of something, based on criteria or evidence. In relation to works of art, this includes assessing how successfully the artist has used materials, techniques and elements to convey ideas or achieve an intended effect, as well as considering the work’s originality, impact or relevance.